Tuesday, November 10, 2009
Gorgeous Bruce Cockburn Cover
Over the slow slide of continents
Over the salt pans pipelines masts and pavilions
Shimmering crescent moon recedes into working dawn --
Lone crow against pallid sky
Single plume of white smoke on yellow speckled plain
Yellowing leaves sparkle in cold breeze --
Wave patterns among wave patterns
Particles disperse and rejoin
Dissolve and reform like the lining of a womb
Still
The cold of your absence blows from
The silent TV, the parking lot
The balcony with clothes waving good-bye/hello
In the rising day
You keep fading away
Don't I know that you're always around
I can reach you if I try
Lily of the midnight sky
Solders of sunrise -- shooting into a forest of flowers
Slow motion
Petals float into pink crimson white
Grow wings
Flutter into mountainous distance
Flutter like a stadium full of applauding hands
I raise a fist to the marauding sun that has hidden you away
I'm the rag in a bottle of gasoline
Longing to ignite
Ich will alles
All of you -- shining on the panther skin of night
Mirrored in a black lake in a night that glistens like blood on gold
Nobody else could be you
If only I could see you
I should be able to touch you somehow
I can reach you if I try
Lily of the midnight sky
While you look from on high
Spare a smile as I
Put on my dog mask and howl for you
I can reach you if I try
Lily of the midnight sky
Thursday, November 5, 2009
Another Happy Boundary, but not without my 'shet-chayil
Here's the acknowledgments (translation: "Without these people I would have been in a generally upward direction in the proverbial creek without said paddle.") The last acknowledgment is absolutely the most important. 'eshet-chayil is "wife of chayil," which can mean "faculty, power;" "wealth;" or "army." With regard to the woman I'm talking about, all possible connotations are present in the word: impressive resourcefulness; a source of blessing and abundance; an power to be reckoned with.
The book is a revised edition of my dissertation, completed in 2006 at
Nick’s expertise in all matters Ugaritic, expressed in his many publications, classroom lectures, and private conversations, was of profound benefit, especially as argued in Myths of Power: A Study of Royal Myth and Ideology in Ugaritic and Biblical Tradition (UBL 13; Münster: Ugarit-Verlag, 1996). While I inevitably found myself disagreeing on some issues, the present project is little more than an application of his ideas on the Chaoskampf and the nature of myth in
Tuesday, November 3, 2009
That Deep Sense of Okay-ness
We talked about how the only thing separating us from Israel's failure is the Holy Spirit, who re-creates us from the ground up, taking out our hearts of stone and giving us a heart of flesh, to respond rightly and love and cleave to our divine lover.
But I tried to emphasize that the gift of the Spirit, and the newness of the new covenant, does not mean that we sail happily far above the tragedy of Israel's unfaithfulness and exile; rather, as Christians, we need that special facility, that sober willingness, to sit with and listen to the long, sad story of Israel's failure. We need a willingness to listen to and enter into that tragedy - and all too often, as I read the tragedy of the OT, I think, "Yikes . . . that's me. Yikes . . . that's my church." I recognize far more of myself in it that I want to.
Some Christians either do not have the facility or the willingness to sit inside of the tragedy of the OT--they're just not willing to walk through the valley of the shadow to get to restored Zion, or they're just too blissfully ignorant. But I made the case to my class that letting the OT lead us beneath the glitzy, surface-appearance of success to the incredible messed-up-ness of corrupt creation is necessary to be of any use in God's kingdom.
The answer to Israel's unfaithfulness in Joshua-Judges-Samuel is one answer, in three parts: (1) Spiritually empowered, illumined leaders - judges and kings - who lead God's people away from idols and back to their Husband; (2) our leader Jesus Christ, our greater Joshua, our great Judge and Deliverer and Davidic King, who leads us away from our idols and back to the Father; (3) Spirit-empowered and illumined Christ-ians, who will lead in ways which echo Christ's leadership other Christians away from idols and back to their Husband. That's the answer to the church's idolatry.
At one point, I was talking about how the external form of idolatry in ancient Israel's cultural context was different from ours, but the root issue was the same. A student asked what I thought the most common idol was among us today, and I answered, among other possibilities (foremost among them the worship of success and money and size that we Americans love), that I thought the most deeply ingrained idol we had was self-justification - the little strategies for making ourselves OK outside of throwing ourselves on the alien righteousness of Jesus Christ, given as a gift to losers. All the little ways I project OK-ness and try to feel OK about myself that avoid trusting in imputed righteousness - getting a paper published and putting together a perfect lecture and doing sit-ups and all the little ways I have of justifying myself to myself. But, "mirabile dictu," I'm learning to do it less, with God's help, and learning to lead others in doing so - not sailing above the tragedy in perfect victory, but watching as Jesus, through the Spirit, leads me through and thus out of it.
Friday, October 30, 2009
Wednesday, October 28, 2009
A Most August Association
This week: Yojimbo ("Bodyguard"). I'm looking forward to it because (1) it's about samurai, and you have to work pretty hard to make them boring (2) it was made by Akira Kurosawa, so it will have flawless camera work.
Tuesday, October 27, 2009
Sherlock Holmes Meets H P Lovecraft
Gaiman wrote the story for an anthology of stories combining the worlds of Sherlock Holmes and H. P. Lovecraft. Readers of this blog probably know the former author, but enjoyment of the story is increased exponentially by knowing something about the latter as well: Lovecraft was an early 20th century author of "weird fiction." His universe is populated with vast monstrosities which his characters stumble upon unawares, and have their own worlds shattered in the process: vast gibbering things which humanity cannot look upon and remain sane. It's a profoundly pessimistic, atheistic vision; humans are ants, subject to hostile forces which we cannot resist. (One of Lovecraft's finest--and shortest--stories is "Nyarlothep" [he tends to give his monsters names like that], which you can read here: http://www.hplovecraft.com/writings/texts/fiction/n.asp It's one of the finest examples, in my opinion, of a writer successfully creating a certain kind of effect in his readers, even while his readers are ready and expecting it--even with such a defended audience, I find the story "works" every time. I never find myself saying, "Oh, I'm reading a short story about a gigantic hostile force taking over humanity." I always find myself shivering as I say, "This is so totally creepy, dude! Wow!")
But I digress. You don't have to know Lovecraft to enjoy the story, but it helps.
I just can't get over how successfully Doyle is mimicked without being satirized. Even the Victorian-era advertisements about Frankenstein . . . oops, I said too much. Just go read it.
Here's Gaiman explaining the genesis of this particular story, in his own totally charming way:
Wednesday, October 21, 2009
What If You Win?
In other words, God is more pessimistic than Elijah about the state of God's people . . . but he still has a strategy to win them. What if you have an argument with God, and "win" in the sense that God agrees with you, and then goes even further? And then goes on to say that he still has a plan to purge his people? Wow.
There's a lot more going on in this passage--we can't take what Elijah says necessarily at face value; the theophany in vv. 10-14 is complex, and I have a lot of questions about Elisha's "annointing" in vv. 19-21. But I can't help but be struck by God's utter realism about the state of his people's hearts--which goes deeper than Elijah's petulant criticisms--and the simultaneous contrast between Elijah's fatalism and Yahweh's deeper strategy for purifying them.